Remembering the Emancipation Proclamation

Viewing the Emancipation Proclamation
Former slave Sally Fickland views the Emancipation Proclamation
The Proclamation was issued on January 1, 1863.

Photo Source: National Archives

From the National Archives:

This photograph shows 88-year-old Mrs. Sally Fickland, a former slave, looking at the Emancipation Proclamation in 1947.

She would have been 3 years old when Lincoln signed the proclamation in 1862.

The document was in Philadelphia that day on the first stop on the Freedom Train tour. The Freedom Train carried the Emancipation Proclamation and the Bill of Rights across America. During the 413-day tour, 3.5 million people in 322 cities in 48 states.

Due to its fragile condition—it was printed on both sides of poor-quality 19th-century paper, unlike the Constitution, which is written on more durable parchment—the Emancipation Proclamation can only be displayed for 30 hours each year.

Henry Bibb’s Christmas Wedding: Love, Hope and Heartbreak in the Age of Bondage

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The Christmas Week, by Henry Louis Stephens, circa 1863.
Philadelphia artist Henry Louis Stephens produced a series of Civil War period cards that “illustrated the journey of a slave from plantation life to the struggle for liberty, for which he gives his life, as a Union soldier during the Civil War.” This card above shows slaves reveling in the Christmas holidays, when many slaves were given time off from labor.
Source: Library of Congress, Reproduction Number: LC-USZC4-2527, LC-DIG-ppmsca-05453, LC-USZC4-6677

Henry Bibb, a 19th century African American Abolitionist, was born a Kentucky slave in 1815, and died free at the young age of 39 in 1854. His father might have been James Bibb, a Kentucky state senator; but Henry Bibb never knew his real father. Wikipedia says that “as he was growing up, Henry Bibb saw each of his six younger siblings, all boys, sold away to other slaveholders. (After escaping slavery and becoming an abolitionist he) traveled and lectured throughout the United States. In 1849-50 he published his autobiography Narrative of the Life and Adventures of Henry Bibb, An American Slave, Written by Himself which became one of the best known slave narratives of the antebellum years.”

The Christmas holiday figured prominently in Henry Bibb’s life: he was married and escaped bondage during separate Christmas holidays. He tells the story of his 1833 wedding to Malinda Jackson, also a slave, in his autobiography:

Malinda’s mother was free, and lived in Bedford, about a quarter of a mile from her daughter; and we often met and passed off the time pleasantly. Agreeable to promise, on one Saturday evening, I called to see Malinda, at her mother’s residence, with an intention of letting her know my mind upon the subject of marriage. It was a very bright moonlight night; the dear girl was standing in the door, anxiously waiting my arrival. As I approached the door she caught my hand with an affectionate smile, and bid me welcome to her mother’s fireside.

After having broached the subject of marriage, I informed her of the difficulties which I conceived to be in the way of our marriage; and that I could never engage myself to marry any girl only on certain conditions; near as I can recollect the substance of our conversation upon the subject, it was, that I was religiously inclined; that I intended to try to comply with the requisitions of the gospel, both theoretically and practically through life. Also that I was decided on becoming a free man before I died; and that I expected to get free by running away, and going to Canada, under the British Government. Agreement on those two cardinal questions I made my test for marriage.

I said, “I never will give my heart nor hand to any girl in marriage, until I first know her sentiments upon all important subjects of Religion and Liberty. No matter how well I might love her, nor how great the sacrifice in carrying out these God-given principles. And I here pledge myself, from this course never to be shaken while a single pulsation of my heart shall continue to throb for Liberty.” With this idea Malinda appeared to be well pleased, and with a smile she looked me in the face and said, “I have long entertained the same views, and this has been one of the greatest reasons why I have not felt inclined to enter the married state while a slave; I have always felt a desire to be free; I have long cherished a hope that I should yet be free, either by purchase or running away. In regard to the subject of Religion, I have always felt that it was a good thing, and something that I would seek for at some future period.”

After I found that Malinda was right upon these all important questions, and that she truly loved me well enough to make me an affectionate wife, I made proposals for marriage… (eventually we) entered upon a conditional contract of matrimony, viz: that we would marry if our minds should not change within one year; that after marriage we would change our former course and live a pious life; and that we would embrace the earliest opportunity of running away to Canada for our liberty.

Clasping each other by the hand, pledging our sacred honor that we would be true, we called on high heaven to witness the rectitude of our purpose. There was nothing that could be more binding upon us as slaves than this; for marriage among American slaves, is disregarded by the laws of this country. It is counted a mere temporary matter; it is a union which may be continued or broken off with or without the consent of a slaveholder, whether he is a priest or a libertine.

There is no legal marriage among the slaves of the South; I never saw nor heard of such a thing in my life, and I have been through seven of the slave states. A slave marrying according to law, is a thing unknown in the history of American Slavery. And be it known to the disgrace of our country that every slaveholder, who is the keeper of a number of slaves of both sexes, is also the keeper of a house or houses of ill-fame.

Henry_Bibb

Henry Bibb, from his autobiography “Narrative of the Life and Adventures of Henry Bibb, An American Slave, Written by Himself”

Licentious white men, can and do, enter at night or day the lodging places of slaves; break up the bonds of affection in families; destroy all their domestic and social union for life; and the laws of the country afford them no protection. Will any man count, if they can be counted, the churches of Maryland, Kentucky, and Virginia, which have slaves connected with them, living in an open state of adultery, never having been married according to the laws of the State, and yet regular members of these various denominations, but more especially the Baptist and Methodist churches? And I hazard nothing in saying that this state of things exists to a very wide extent in the above states.

I am happy to state that many fugitive slaves, who have been enabled by the aid of an over-ruling providence to escape to the free North with those whom they claim as their wives, notwithstanding all their ignorance and superstition, are not at all disposed to live together like brutes, as they have been compelled to do in slaveholding Churches. But as soon as they got free from slavery they go before some anti-slavery clergyman, and have the solemn ceremony of marriage performed according to the laws of the country. And if they profess religion, and have been baptized by a slaveholding minister, they repudiate it after becoming free, and are re-baptized by a man who is worthy of doing it according to the gospel rule. Continue reading

Trailer for Upcoming Miniseries on 18th Century Slavery, “Book of Negroes”

This is the trailer for the upcoming mini-series “Book of Negroes” that will air in the United States on BET in February 2015. The miniseries is based on the book of the same name by Canadian author Lawrence Hill.

From YouTube (Jun 24, 2014):

Academy Award winner Cuba Gooding Jr. (Jerry Maguire), Academy Award and Primetime Emmy Award winner Lou Gossett Jr. (Boardwalk Empire) and lead actress Aunjanue Ellis (The Help) are scheduled to attend the MIPCOM 2014 World Premiere Screening of the epic mini-series adaptation of The Book of Negroes, produced by Conquering Lion Pictures, Out of Africa Entertainment, Entertainment One Television (eOne) and Idlewild Films. Based on the internationally acclaimed novel by Lawrence Hill, which has sold a million copies worldwide, The Book of Negroes is a universal story of loss, courage and triumph that depicts the extraordinary life journey of Aminata Diallo — an indomitable African woman who survives in a world in which everything seems to be against her.

This looks to be an interesting film, for at least a couple of reasons. First, the lead character is an African woman (she’s born in Africa and eventually returns there), and we don’t see that much in American film. Second, it covers the 18th Century, including the Revolutionary War. Not too many people are aware that historians believe that more Africans supported Britain over the American colonists, in this war that created the United States.

I hope to say more about this film in future posts.

Here is a brief video with cast member Cuba Gooding Jr:

To the Highest Bidder, by Harry Herman Roseland

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Picture source: AskArt.com

This poignant painting, titled To the Highest Bidder, is the work of Brooklyn, New York artist Harry Herman Roseland (c.1867—1950). He was a noted painter who received many awards for his work in his lifetime. According to Wikipedia,

Roseland was primarily known for paintings centered on poor African-Americans… One of his most popular subjects were his paintings of black women fortune tellers who read the palms and tea leaves of white women clients.

Oprah Winfrey has stated that her favorite painting in her personal collection is Roseland’s 1904 work, To the Highest Bidder. This painting, which unlike most of Roseland’s pieces is actually a pre-Civil War scene, depicts a mother and daughter that are about to be separated by a slave auction.

I am taken by the somber desperation in the eyes of the mother. Her gaze seems to both shame and challenge the viewer: how can you look at me, and know what is about to happen, and yet do nothing?

Child’s Play is Not Child’s Play on a Civil War Era Plantation

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“But seriously Topsy… did you have to go there?”
Source: Image of Miss Ophelia and Topsy from Selection from Uncle Tom’s Cabin: A Digital Critical Edition: “Topsy”: Houghton, Osgood & Co. “New Edition,” 1879

Sometimes a game is not a game. Susan Snow, a former enslaved woman, learned this the hard way during the Civil War.

Snow was one of many former slaves who was interviewed by the Federal Writers’ Project of the Depression-era Work Projects Administration. During her interview with a Project writer, she recalled an incident from the War, when she was in her early teens:

I was born in Wilcox County, Alabama, in 1850. W.J. Snow was my old marster. He bought my ma from a man named Jerry Casey. Venus was her name, but dey mos’ly called her ‘Venie.’

“I got more whuppin’s dan any other Nigger on de place, ’cause I was mean like my mammy. Always a-fightin’ an’ scratchin’ wid white an’ black. I was so bad Marster made me go look at de Niggers dey hung to see what dey done to a Nigger dat harm a white man. Continue reading

This Friday evening (8/22/2014) on C-SPAN3: Slavery in Cinema

The C-SPAN network will air a trio of shows tonight that focus on the depiction of slavery in film:

The Civil War: Slavery & Cinema (8PM ET 8/21/2014; 11:42PM ET 8/21/2014)

A panel of history professors traces the evolution of slavery as depicted in film since the 1930s. Drawing examples from films like “Mandingo,” “Amistad” and “12 Years a Slave,” panelists discuss how filmmakers have framed the idea of slavery. They also describe changes in race relations and gender portrayals in films and how slave characters have shifted from the background into leading roles. (This can be viewed online; see here. The video might require the Flash web-browser plug-in for viewing.)

Hollywood and the Passage of the 13th Amendment (9:30PM ET 8/21/2014; 2AM ET 8/22/2014)

Professor Matthew Pinsker talks about Stephen Spielberg’s film, Lincoln, analyzing what is fact and what is Hollywood fiction. The video for this should be available online by Tuesday, August 28, 2014.

Civil War History and the Film Gone With the Wind (10:20PM ET 8/21/2014; 1:12AM ET 8/22/2014)

Jeffrey McClurken talked about the 1939 movie “Gone with the Wind,” looking at it as a source on southern culture during the Civil War and Reconstruction, and reflective of the Depression era in which it was created. (This can be viewed online; see here. The video might require the Flash web-browser plug-in for viewing.)

These three videos will be useful for folks interested in slavery and the way that slavery and emancipation have been portrayed on film, especially by Hollywood.

Also of interest is this article on Examiner.com: Black slave movies are proven winners in Hollywood, which identifies the most popular slave movies to date.

Portrait of a Washerwoman for the Union Army, around Richmond, VA, with a flag pinned to dress

Unidentified-Washerwoman-Who-Worked-for-Union-Army
Ambrotype photograph of an unidentified washerwoman for the Union Army, circa 1865, Richmond, Virginia.
Source: Photographic History Collection, Division of Information Technology and Communications, National Museum of American History, Smithsonian Institution.

At the website for National Public Radio, Shannon Thomas Perich offers an interpretation of this image:

The flag (on the woman) especially raises questions as it is called out by the coloring. Why is a woman who is disenfranchised because of her skin color and her gender wearing the flag, often a symbol of freedom? Is that what it meant for her? If so, how did she describe freedom for herself and the nation? Is she wearing the flag by choice? Did she purchase this image? Did she own it? If not, then who did?

…This photograph was not made casually or by accident. Before she even sat for the camera, her dress was clean and pressed, and her hair coiffed. The pinning of the flag, and its coloring and the pink tint on her cheeks, are deliberate actions. The woman holds herself steady, with pride, perhaps assisted by a hidden head brace, and by her arm on the draped table. She holds our gaze with her eyes, which do not reflect happiness or relaxation, but seem to signal a bit of trepidation.

The enitre article from Perich, titled A Flag Of Freedom?, is here.