Drunk History: Harriet Tubman leads slaves to freedom during the Civil War

Harriet Tubman, a conductor on the Underground Railroad, was a spy for the Union during the Civil War, eventually leading raids on plantations in South Carolina that freed over 700 slaves.

Comedy Central’s Drunk History show does a hilarious take on her wartime heroics:

While it is hilarious, it is based on a true story. Much of this seems based in part on the book Harriet Tubman, Secret Agent: How Daring Slaves and Free Blacks Spied for the Union During the Civil War, by Thomas B. Allen, which is a good read.

Crissle West of The Read does most of the voice-over for this video.

Black Moses Barbie, by Pierre Bennu


Black Moses Barbie (Harriet Tubman Commercial) (1 of 3)
From YouTube: This commercial for a Black Moses Barbie toy celebrating the legacy of Harriet Tubman is part of Pierre Bennu’s larger series of paintings and films deconstructing and re-envisioning images of people of color in commercial and pop culture.
Two more commercials for this hypothetical toy will be posted throughout Black History Month 2011.
Directed, written, shot & storyboard by: Pierre Bennu

These three videos are by the African American artist Pierre Bennu. They take a comedic/satiric look at Harriet Tubman and the beloved Barbie doll.The videos have references to pop culture that some viewers may not recognize. For example, the third video might require a web search for Billy Dee Williams and the 1975 movie Mahogany before you “get” it.

The humor might not be to everyone’s taste, but I got a good laugh. An article in the Huffington Post discusses the videos:

Bennu, who is also known for his videos “Sun Moon Child” (music by Imani Uziri) and Gregory Porter’s “Be Good (Lion’s Song),” shares the artistic sensibilities with a generation of Black artists like Kara Walker, Michael Ray Charles, Hank Willis Thomas, who have sought to turn Black stereotypes, Black history and Black trauma into vehicles of satire, humor and ultimately cultural resistance. As Glenda Carpio notes in her book Laughing Fit to Kill: Black Humor in the Fictions of Slavery (Oxford University Press, 2008), “Black American humor began as a wrested freedom, the freedom to laugh at that which was unjust and cruel in order to create distance from what would otherwise obliterate a sense of self and community.”


Black Moses Barbie (Harriet Tubman Commercial) (2 of 3)


Black Moses Barbie (Harriet Tubman Commercial) (3 of 3)