As described on Google Plus, the “President Abraham Lincoln Houses in Manhattan, one of the New York City Housing Authority’s nearly 350 developments, has fourteen buildings, 6 and 14-stories tall with 1,283 apartments.” In 1949, a monument to the namesake for the Lincoln Houses was installed, to some fanfare. The Baltimore Afro-American wrote an article about the unveling of the monument:
New York — Tribute was paid to the clearing of slums in Harlem and to the freeing of slaves as the statue, “Lincoln and Boy,” was unveiled and dedicated in the center of the Abraham Lincoln Housing project here.
“Lincoln would have been proud to have his statue placed in the middle of a recreation area which embodies so many of his principles rather than in marble halls among the great,” Thomas Farrell, chairman of the (New York City) authority declared.
…Some 1286 families, most of them colored, live in the Lincoln project… The boy in the statue was described by the sculptor as a youth who posed for another piece of art work, but was put in because he struck the “fancy” of the sculptor.”
As noted in the article, several NYC politicians and public officials used the occassion to decry the lack of equality and racial justice for New Yorkers.
At the dedication for the statue, it was called the “Lincoln and Boy” monument. Later references have called it the “Lincoln and Child” monument. I am using the latter designation for this blog post.
A boy gets a closer look at the sculpture, “Abraham Lincoln and Child,” during its dedication at Abraham Lincoln Houses in East Harlem, Manhattan. The sculpture, which was unveiled on Lincoln’s birthday, February 12, 1949, is bronze with a granite base and was created by Charles Keck (1875-1951). ID# 02.003.09535
Image and Caption Source: From the La Guardia and Wagner Archives, La Guardia Community College
Many New York City Housing projects feature some kind of artwork; see here for more details.