Child’s Play is Not Child’s Play on a Civil War Era Plantation

image
“But seriously… did you have to go there?”
Source: Image of Miss Ophelia and Topsy from Selection from Uncle Tom’s Cabin: A Digital Critical Edition: “Topsy”: Houghton, Osgood & Co. “New Edition,” 1879

Sometimes a game is not a game. Susan Snow, a former enslaved woman, learned this the hard way during the Civil War.

Snow was one of many former slaves who was interviewed by the Federal Writers’ Project of the Depression-era Work Projects Administration. During her interview with a Project writer, she recalled an incident from the War, when she was in her early teens:

I was born in Wilcox County, Alabama, in 1850. W.J. Snow was my old marster. He bought my ma from a man named Jerry Casey. Venus was her name, but dey mos’ly called her ‘Venie.’

“I got more whuppin’s dan any other Nigger on de place, ’cause I was mean like my mammy. Always a-fightin’ an’ scratchin’ wid white an’ black. I was so bad Marster made me go look at de Niggers dey hung to see what dey done to a Nigger dat harm a white man. Continue reading

Martin Jackson: Recollections of a Confederate Servant

Martin Jackson
Martin Jackson at age 90: Texan, house slave, Confederate servant, freedman, and WWI veteran
Source: Gelatin-silver photographic print of Martin Jackson, San Antonio, Texas, 1937. Prints and Photographs Division and Manuscript Division, Library of Congress. Photo was taken by or for the Federal Writers’ Project, which was part of the Works Progress Administration.

Martin Jackson had a long and interesting life. As a slave during the Civil War, he rescued Confederate wounded from the battlefield – he was an “official lugger-in of men,” he called himself. Much later, during World War I, he enlisted as a cook! This is not a story you will hear much.

Jackson was a long time resident of Texas. At the age of 90, he was interviewed about his life as a slave for the Federal Writers’ Project of the Depression-era Works Progress Administration. He recalled his early life, mentioned the “good treatment” he enjoyed as a house slave, spoke about the difficulty of telling the true story of slavery to strangers (such as, perhaps, those who conducted these slave interviews for the WPA), and his experiences during the Civil War.

Some have applied the label “black Confederate” to men like Jackson, saying that they “served” the Confederacy. But Jackson’s comments provide a much more complex understanding of his “service.” Rather than characterize his statements in any way, I will let Jackson’s words speak for themselves.

This is an abridged and edited version of the WPA interview. Mainly, I have moved paragraphs around so that they follow a linear timeline; the original interview kind of skipped all over the place in time. Here it is:

“My earliest recollection is the day my old boss presented me to his son, Joe, as his property. I was about five years old and my new master was only two.

“Lots of old slaves closes the door before they tell the truth about their days of slavery. When the door is open, they tell how kind their masters was and how rosy it all was. You can’t blame them for this, because they had plenty of early discipline, making them cautious about saying anything uncomplimentary about their masters. I, myself, was in a little different position than most slaves and, as a consequence, have no grudges or resentment. However, I can tell you the life of the average slave was not rosy. They were dealt out plenty of cruel suffering. Continue reading

This Friday evening (8/22/2014) on C-SPAN3: Slavery in Cinema

The C-SPAN network will air a trio of shows tonight that focus on the depiction of slavery in film:

The Civil War: Slavery & Cinema (8PM ET 8/21/2014; 11:42PM ET 8/21/2014)

A panel of history professors traces the evolution of slavery as depicted in film since the 1930s. Drawing examples from films like “Mandingo,” “Amistad” and “12 Years a Slave,” panelists discuss how filmmakers have framed the idea of slavery. They also describe changes in race relations and gender portrayals in films and how slave characters have shifted from the background into leading roles. (This can be viewed online; see here. The video might require the Flash web-browser plug-in for viewing.)

Hollywood and the Passage of the 13th Amendment (9:30PM ET 8/21/2014; 2AM ET 8/22/2014)

Professor Matthew Pinsker talks about Stephen Spielberg’s film, Lincoln, analyzing what is fact and what is Hollywood fiction. The video for this should be available online by Tuesday, August 28, 2014.

Civil War History and the Film Gone With the Wind (10:20PM ET 8/21/2014; 1:12AM ET 8/22/2014)

Jeffrey McClurken talked about the 1939 movie “Gone with the Wind,” looking at it as a source on southern culture during the Civil War and Reconstruction, and reflective of the Depression era in which it was created. (This can be viewed online; see here. The video might require the Flash web-browser plug-in for viewing.)

These three videos will be useful for folks interested in slavery and the way that slavery and emancipation have been portrayed on film, especially by Hollywood.

Also of interest is this article on Examiner.com: Black slave movies are proven winners in Hollywood, which identifies the most popular slave movies to date.

Portrait of a Washerwoman for the Union Army, around Richmond, VA, with a flag pinned to dress

Unidentified-Washerwoman-Who-Worked-for-Union-Army
Ambrotype photograph of an unidentified washerwoman for the Union Army, circa 1865, Richmond, Virginia.
Source: Photographic History Collection, Division of Information Technology and Communications, National Museum of American History, Smithsonian Institution.

At the website for National Public Radio, Shannon Thomas Perich offers an interpretation of this image:

The flag (on the woman) especially raises questions as it is called out by the coloring. Why is a woman who is disenfranchised because of her skin color and her gender wearing the flag, often a symbol of freedom? Is that what it meant for her? If so, how did she describe freedom for herself and the nation? Is she wearing the flag by choice? Did she purchase this image? Did she own it? If not, then who did?

…This photograph was not made casually or by accident. Before she even sat for the camera, her dress was clean and pressed, and her hair coiffed. The pinning of the flag, and its coloring and the pink tint on her cheeks, are deliberate actions. The woman holds herself steady, with pride, perhaps assisted by a hidden head brace, and by her arm on the draped table. She holds our gaze with her eyes, which do not reflect happiness or relaxation, but seem to signal a bit of trepidation.

The enitre article from Perich, titled A Flag Of Freedom?, is here.

April 16, 2014 – Emancipation Day, Washington DC

DC-Emancipation-Celebration-1866
Celebration of the abolition of slavery in the District of Columbia by the colored people, in Washington, April 19, 1866 / Harper’s weekly, v. 10, no. 489 (1866 May 12), p. 300 / sketched by F. Dielman.
Source:
Library of Congress, Reproduction Number: LC-USZ62-33937

Today marks the 152nd anniversary of the abolition of slavery in Washington, DC. Hallelujah, hallelujah!

The District of Columbia Compensated Emancipation Act, passed by the 37th Congress and signed into law by President Abraham Lincoln on April 16, 1862, abolished slavery in Washington, D.C. by paying slave owners for freeing their bondsmen. Some 3100 slaves were freed at a cost of just under $1 million in 1862 dollars. The Act represented one of many steps the Union government took toward an active antislavery policy during the war.

Emancipation Day is now an official holiday in Washington, DC. A listing of 2014 Emancipation Day activities by Rachael Cooper in About.com Washington, DC is here. Enjoy.

Will you join us, to remember Fort Pillow?

This is an open invitation to attend commemorative activites at Fort Pillow State Park to mark the 150th annivesary of the Battle at Fort Pillow. It is sent from the descendants of two soldiers who served at the Fort:


Depiction of the Battle of Fort Pillow AKA the Fort Pillow Massacre

This print causes one with a conscious and awareness of sanctity of life to pause. The artist was not there to witness this horror, but there were congressional hearings and reports and eyewitness accounts from which he/she used and poured into this portrayal of the events that occurred on April 12, 1864. We can pause and reflect when looking at this print, however, we must actively become involve in Remembering Fort Pillow in the mix of the celebratory mid-point observations of the American Civil War Sesquicentennial.

Will you join us at Fort Pillow on April 12, 2014, to honor and pay tribute to the men, women and children who were massacred 150 years go? It’s a time to commemorate what one historian called a battle that went terribly wrong. It’s time to reflect. It’s a time to make the journey to banks of the Mississippi River where its water turned red with the blood of these men, women and children. They made the ultimate sacrifice. Will you make a sacrifice to travel to Henning, Tennessee in a few months?

The descendants of two USCT soldiers garrisoned at Fort Pillow on April 12, 1864, will be there. Will you join us?

Our great grandfathers, Private Peter Williams (6th USCHA, Co. A) and Private Armstead Burgess (6th USCHA Co. B), were among the 262 African American artillerymen garrisoned at Fort Pillow during the massacre that occurred on April 12, 1864.* Unlike many of their comrades in arms, they survived the horrors of that day and lived well into the twentieth century. We are here today because they survived. We realize our families are blessed, but we can’t forget the families who suffered the loss of their loved ones. We are humble and thankful. We remain prayerful about our own legacy. We continue to remember and hope that others will also remember the men, women and children who perished that day.

The Tennessee State Parks will commemorate the 150th Anniversary of Fort Pillow on April 12-13, 2014. Jeff Wells (Director of Interpretive Programming and Education, Tennessee State Parks) stated, “The focus of this program will be to recognize and honor the sacrifices of the African Americans garrisoned at Fort Pillow during the tragic events of April 12th, 1864.”

The tentative program includes living history presentations, public displays, lectures, and guided tours. There is a program tentatively scheduled in the afternoon to pay tribute to the Union soldiers who were garrisoned at Fort Pillow on the terrible day.

Will you join the families or Private Williams and Private Burgess?

For more information, please contact:
Fort Pillow State Park
731-738-5581
3122 Park Road
Henning, Tennessee 38041

All USCT organizations and commemorative units received a personal invitation from Mr. Wells. Please follow up.

Finally, the University of Memphis is planning a lecture on Fort Pillow and USCTs on April 10, 2014. That information is pending and will be posted as soon as received.

Best Regards,

Joe Williams, Retired Army
Great Grandson of Private Peter Williams
Member, 12th USCHA (Commemorative Unit)

Yulanda Burgess
Great Granddaughter of Private Armstead Burgess
Member, 5th USCI, Co. C (Commemorative unit)