I do not have information about the source of this photograph, but it appears to be from the 19th Century.
And what a delightful picture it is! I am assuming this is a father and child.
I do not have information about the source of this photograph, but it appears to be from the 19th Century.
And what a delightful picture it is! I am assuming this is a father and child.
Celebration of the abolition of slavery in the District of Columbia by the colored people, in Washington, April 19, 1866 / Harper’s weekly, v. 10, no. 489 (1866 May 12), p. 300 / sketched by F. Dielman.
Source: Library of Congress, Reproduction Number: LC-USZ62-33937
Today marks the 152nd anniversary of the abolition of slavery in Washington, DC. Hallelujah, hallelujah!
The District of Columbia Compensated Emancipation Act, passed by the 37th Congress and signed into law by President Abraham Lincoln on April 16, 1862, abolished slavery in Washington, D.C. by paying slave owners for freeing their bondsmen. Some 3100 slaves were freed at a cost of just under $1 million in 1862 dollars. The Act represented one of many steps the Union government took toward an active antislavery policy during the war.
Emancipation Day is now an official holiday in Washington, DC. A listing of 2014 Emancipation Day activities by Rachael Cooper in About.com Washington, DC is here. Enjoy.
This is an open invitation to attend commemorative activites at Fort Pillow State Park to mark the 150th annivesary of the Battle at Fort Pillow. It is sent from the descendants of two soldiers who served at the Fort:
Depiction of the Battle of Fort Pillow AKA the Fort Pillow Massacre
This print causes one with a conscious and awareness of sanctity of life to pause. The artist was not there to witness this horror, but there were congressional hearings and reports and eyewitness accounts from which he/she used and poured into this portrayal of the events that occurred on April 12, 1864. We can pause and reflect when looking at this print, however, we must actively become involve in Remembering Fort Pillow in the mix of the celebratory mid-point observations of the American Civil War Sesquicentennial.
Will you join us at Fort Pillow on April 12, 2014, to honor and pay tribute to the men, women and children who were massacred 150 years go? It’s a time to commemorate what one historian called a battle that went terribly wrong. It’s time to reflect. It’s a time to make the journey to banks of the Mississippi River where its water turned red with the blood of these men, women and children. They made the ultimate sacrifice. Will you make a sacrifice to travel to Henning, Tennessee in a few months?
The descendants of two USCT soldiers garrisoned at Fort Pillow on April 12, 1864, will be there. Will you join us?
Our great grandfathers, Private Peter Williams (6th USCHA, Co. A) and Private Armstead Burgess (6th USCHA Co. B), were among the 262 African American artillerymen garrisoned at Fort Pillow during the massacre that occurred on April 12, 1864.* Unlike many of their comrades in arms, they survived the horrors of that day and lived well into the twentieth century. We are here today because they survived. We realize our families are blessed, but we can’t forget the families who suffered the loss of their loved ones. We are humble and thankful. We remain prayerful about our own legacy. We continue to remember and hope that others will also remember the men, women and children who perished that day.
The Tennessee State Parks will commemorate the 150th Anniversary of Fort Pillow on April 12-13, 2014. Jeff Wells (Director of Interpretive Programming and Education, Tennessee State Parks) stated, “The focus of this program will be to recognize and honor the sacrifices of the African Americans garrisoned at Fort Pillow during the tragic events of April 12th, 1864.”
The tentative program includes living history presentations, public displays, lectures, and guided tours. There is a program tentatively scheduled in the afternoon to pay tribute to the Union soldiers who were garrisoned at Fort Pillow on the terrible day.
Will you join the families or Private Williams and Private Burgess?
For more information, please contact:
Fort Pillow State Park
3122 Park Road
Henning, Tennessee 38041
All USCT organizations and commemorative units received a personal invitation from Mr. Wells. Please follow up.
Finally, the University of Memphis is planning a lecture on Fort Pillow and USCTs on April 10, 2014. That information is pending and will be posted as soon as received.
Joe Williams, Retired Army
Great Grandson of Private Peter Williams
Member, 12th USCHA (Commemorative Unit)
Great Granddaughter of Private Armstead Burgess
Member, 5th USCI, Co. C (Commemorative unit)
The American Civil War Museum in Richmond, Virginia bills itself as “the nation’s first museum to interpret the Civil War from Union, Confederate, and African American perspectives.” In doing so, it recognizes that there were indeed three very different vantage-points from which the Civil War was viewed and interpreted at the time. None of these perspectives is “better than” or “superior to” the others; they’re different, but all valid. Perhaps implied by the Museum, but not stated, is that throughout the post-war era, the African American Civil War experience has often been overlooked and even ignored. But it’s never too late to catch up with the past.
In that light, I am heartened to see the list of events and activities planned for the commemoration of the 150th anniversary of the so-called Fort Pillow Massacre, to be held at Fort Pillow State Park on April 12 and 13. The list of events is at the bottom of this blog entry.
As many people who study the Civil War know, the Fort Pillow Massacre is one of the most infamous and controversial events of the American Civil War. Fort Pillow was a Union-held fort located 40 miles northeast of Memphis, Tennessee. The garrison at the Fort included a number of men from the US Colored Troops, perhaps half of the men there. The Fort was attacked on April 12, 1864, by Confederate forces under the command of Major General Nathan Bedford Forrest. The Confederates overran the fort, suffering moderate casualties. In the wake of the attack, around 300 Union soldiers were killed, most of them Colored Troops. The Union – the US military, members of the US government, the US press, and very important, many African Americans – considered Fort Pillow a race-based massacre, during which black soldiers were killed even after they surrendered. Confederates, most notably General Forrest himself, denied that a massacre occurred; they would call it the Battle of Fort Pillow.
The Massacre was a cause célèbre at the time, and remains controversial to this very day. Fort Pillow State Park, the preserved site of the Fort, is holding a series of activities and lectures to commemorate the 150th anniversary of Fort Pillow which, on the face of it at least, focus on the African American experience during this time of war and change, and, which highlight the issues of war, race, and slavery that have inflamed passions about the event to this very day. This focus will be seen especially in lectures scheduled on April 12, which will complement other activities such as living history programs and Union and Confederate encampments.
I say that I am heartened because, from a perusal of internet sources, there are many who feel that the more controversial issues surrounding Fort Pillow have been ignored in earlier commemorative events. Some might add that a single week-end of such focus is not enough; it’s catch-up ball, and more needs to be done in the long run. But clearly, events like this are a good way to start, and one hopes that there will be more to come.
So, for those in the vicinity of Fort Pillow State Park outside of Memphis, I recommend giving the place a visit to view the activities, which will take place during the coming week-end (April 12-13). Cost and distance will keep me from attending… sigh.
Note: I have an earlier blog entry related to Fort Pillow here.
Fort Pillow – 150th Anniversary and Memorial Service
Fort Pillow State Park
Schedule of Activities:
Saturday Schedule (April 12, 1984)
Reenactors/Living Historians at the Commemoration events for the 150th anniversary of Camp William Penn. The Camp trained 11 regiments of just under 11,000 men that were part of the United States Colored Troops.
This past weekend (September 20-21, 2013), the 150th Anniversary of Camp William Penn was commemorated with a number of events held in Cheltenham, PA, which is just outside of northwest Philadelphia. Camp William Penn was the first federal facility dedicated to training African Americans who enlisted in the United States Army during the American Civil War. Just under 11,000 men of African descent were trained at the site, and they formed 11 regiments in the United States Colored Troops (USCT), the part of the army which contained almost all of the US army’s black enlistees. Among the Union’s free states, more USCT regiments were organized in Pennsylvania than in any other state. At the time, Pennsylvania had the largest black population of any state outside the South (that is, states that did not allow slavery). These regiments also included men from nearby Delaware, Maryland, and New Jersey.
The events were organized, conducted, and sponsored by a number of groups, including Civil War USCT Living Historians for the 3rd, 6th, and 22nd USCT regiments (which were among the regiments formed at Camp Penn), and several others from across the country, as well as Citizens for the Preservation Historic La Mott and the Camp William Penn Museum. The activities included a parade, a learning camp where people could meet with living historians/reenactors to learn about the Civil War era, lectures, and a special opening of the Camp William Penn Museum. The Museum has been closed for renovations.
I was able to attend several of the activities on Saturday (9/21) morning and afternoon, and I took some pictures which I am sharing here. Most of the photos were taken in the Encampment, the learning camp where Living Historians provided education about camp life, training, uniforms, weapons, and other aspects of being a Civil War soldier. As well, the role of USCTs in ending slavery and gaining full citizenship for African Americans was discussed.
It was a great event. The attendees included people of all ages and ethnic backgrounds, and it was clear that under the right circumstances, African Americans will show as much interest in the Civil War and American history as anyone. One of the successes of the event was that, it was built around a neighborhood community center. As opposed to, for example, being organized around a far off battlefield. People could walk or drive or bus to the activities. So, the event came to the people, versus, people having to go far distances to attend an event. This is a very useful model for commemorating and presenting history, and I hope we see more of this in the future.
Lots more pictures are below the fold. Continue reading
Camp William Penn, the US Army enlistment and training site for African Americans from the Philadelphia, PA/Delaware Valley area during the Civil War, will be commemorated with a number of activities on Friday, September 20, 2013, and Saturday, September 21, 2013 in Fort Washington and Elkins Park, PA, just outside of Philadelphia. This will include a parade on Saturday at 10 AM. Alongside the commemoration events, the United States Colored Troops Living History Association (USCTLHA) is holding its Annual Meeting and Banquet.
A number of people have come together to organize these activites, including the 3rd and 6th Regiment of United States Colored Troops (USCT) Reenactors, Citizens for the Restoration of Historic La Mott (La Mott, PA, is the site of Camp Penn), the Camp William Penn Museum, and the USCTLHA.
The USCTLHA Annual Meeting activities will include a conference on Friday, September 20, at 4PM and a banquet on Saturday, September 21, at 6PM. The USCTLHA is a non-profit national organization “whose purpose is to promote and accurately interpret the history of the United States Colored Troops of the American Civil War and those that supported their efforts to abolish slavery and preserve the Union and to educate the public and promote research of the history and legacy of those who served in the Civil War.” Their website is here.
I will not be able to attend the event, unfortunately for me. I wish the best to those who are conducting and participating in these activities.
A slave family in Georgia, circa 1850. How would they write the history of Georgia?
Source: New York Historical Society
As the historian Melvyn Stokes has observed, “the traditional focus” of American history has been “on the centers of political, economic, and social power and the doings of elite white men.” He also observed that in the last several decades, historical study has turned its eyes on groups that had largely been “ignored and misinterpreted.”
The history of the United States with respect to the role of enslaved people is a case in point. Much of US history, in our schoolbooks and popular culture, has been told from the perspective of white slaveholders and nonslaveholders; the viewpoint of slaves themselves was often ignored. There has been, though, a sea change in this since the 1950s, thanks to the Civil Rights and Black Power Movements, the growth of an educated African American middle class, and modern historians of all races and backgrounds.
But it’s not as if, throughout history, African Americans have made no attempt at their own telling the story of America. One example of this is the 1890 book A School History of the Negro Race in America, from 1619 to 1890, written by Edward A. Johnson (1860-1944). Johnson was born enslaved, and grew-up to become an educator, historian, attorney, and politician. As noted by Andrew Leiter at the Documenting the American South website,
Edward Johnson wrote this book in 1890 to counteract the lack of African American representation in textbooks, or to correct, as he says, “the sin of omission and commission on the part of white authors.” He offers sketches of slavery as it existed in the colonies–northern and southern. He presents the accomplishments of some of the most distinguished slaves, including poets Phillis Wheatley and George Moses Horton, as well as the mathematician and astronomer, Benjamin Banneker. Johnson is particularly interested in presenting the valorous roles African Americans played in America’s various wars…
The latter part of Johnson’s book is devoted to the progress of the African American race since Emancipation. He describes the early successes of reconstruction despite southern white resistance… Johnson includes this information on the progress of the race in his textbook “to inspire new zeal and fresh courage, that each one of you may add something more to what has already been accomplished.” Johnson concludes his book with a collection of sketches of notable secular and religious African Americans.
In his book, Johnson provides a brief history of the state of Georgia. Compare this to what you’ve learned and know about the state from school and other sources:
From the time of its settlement in 1732 till 1750 this colony held no slaves. Many of the inhabitants were anxious for the introduction of slaves, and when the condition of the colony finally became hopeless they sent many long petitions to the Trustees, stating that “the one thing needful” for their prosperity was Negroes.
It was a long time before the Trustees would give their consent; they said that the colony of Georgia was designed to be a protection to South Carolina and the other more Northern colonies against the Spanish, who were then occupying Florida, and if the colonists had to control slaves it would weaken their power to defend their colonies. Finally, owing to the hopeless condition of the Georgia colony, the Trustees yielded. Slaves were introduced in large numbers.
The famous minister, George Whitfield, referring to his plantation in this colony, said: “Upward of five thousand pounds have been expended in the undertaking, and yet very little proficiency made in the cultivation of my tract of land, and that entirely owing to the necessity I lay under of making use of white hands. Had a Negro been allowed I should now have had a sufficiency to support a great many orphans, without expending above half the sum which has been laid out.” He purchased a plantation in South Carolina, where slavery existed, and speaks of it thus: “Blessed be God! This plantation has succeeded; and though at present I have only eight working hands, yet, in all probability, there will be more raised in one year, and without a quarter of the expense, than has been produced at Bethesda for several years past. This confirms me in the opinion I have entertained for a long time, that Georgia never can or will be a flourishing province without Negroes are allowed.”
Prosperity came with the slaves, and, as in the case of Virginia, the colony of Georgia took a fresh start and began to prosper. White labor proved a failure. It was the honest and faithful toil of the Negro that turned the richness of Georgia’s soil into English gold, built cities and created large estates, gilded mansions furnished with gold and silver plate.
(James) Oglethorpe (who founded the colony) planned the Georgia colony as a home for Englishmen who had failed in business and were imprisoned for their debts. These English people were out of place in the wild woods of America, and continued a failure in America, as well as in England, until the toiling but “heathen” African came to their aid.
Cotton Plantations were numerous in Georgia under the slave system. The slave-owners had large estates, numbering thousands of acres in many cases. The slaves were experts in the culture of cotton. The climate was adapted to sugarcane and rice, both of which were raised in abundance.
As they say, this puts a whole different spin on things.
This is Episode 2 of the Web-based comedy series “Ask a Slave.” Azie Mira Dungey plays show host Lizzie Mae, who fields questions about her experience as slave to Martha Washington (George Washington’s wife).
slave enslaved-person reenactor Azie Mira Dungey is trying her hand at comedy which tackles a very difficult subject: American slavery. The website Ask A Slave: A Comedy Web Series features videos based on her experiences portraying slaves at Mount Vernon, a historical site in northern Virginia that preserves the estate of George Washington. Episode 2 of the show is shown above.
On the “Ask a Slave” website, Dungey discusses the genesis for her project:
I must have played every black woman of note that ever lived. From Harriet Tubman to Diane Nash to Claudette Colvin to Caroline Branham– Martha Washington’s enslaved Lady’s maid… Studying American history and the lives of these women, while virtually living in their heads and experiences each day, made me feel like I was in some sort of twisted time warp. This was also the time of Barack Obama’s first term in White House and his subsequent run for a second term.
I ask you to remember the racial tension that was all around. We had people saying that the President would be planting watermelons on the White House lawn. Emails were forwarded proclaiming that this was the beginning of a race war and the end of the country as we know it. People bought guns. (A lot of guns.) A scientist reported the evolutionary explanation as to why black women were the least attractive of all the races. The Oprah Show ended. It was mass chaos.
And in the midst of all this, I was playing a slave. Everyday, I was literally playing a slave. I mean, I was getting paid well for it, don’t get me wrong, and we all need a day job. But all the same, I was having all these experiences, and emotions. Talking to 100s of people a day about what it was like to be black in 18th Century America. And then returning to the 21st Century and reflecting on what had and had not changed.
So, I wanted a way to present all of the most interesting, and somewhat infuriating encounters that I had, the feelings that they brought up, and the questions that they left unanswered. I do not think that Ask A Slave is a perfect way to do so, but I think that it is a fun, and a hopefully somewhat enriching start.
While all of that does seem like fertile ground for further exploration, making a comedy about slavery seems like a tough sell. Even today, slavery is an extremely sensitive subject that raises feelings of anger, guilt, and shame. It is perhaps the ultimate taboo topic in American history. I wonder how far the series can go before the treatment of the subject becomes, as one 19th century girl said about Civil War-related entrainment, “too perfect for enjoyment.”
But I did enjoy the first two episodes of the show, and I look forward to more. I am very interested in seeing how the creative team is going to approach the character and the content for the show. In the first episode, show host Lizzie Mae becomes somewhat flustered at the not-too-smart questions she’s getting, and comes off seeming like – dare I say it – an Angry Black Woman. I think the anger is righteous, and I like the satire in it, but some members of the audience might be turned off. The second episode makes more use of deadpan and irony, and I thought that it was funny and more palatable for a wide audience. Time will tell what kind of groove the creators will get into. I’ll certainly be watching to see how it goes.
For those who are interested: Azie Mira Dungey is scheduled for an interview about her series on National Public Radio’s national midday show Here and Now. The show is expected to air on Friday, Sept 6th. Check your local NPR station for scheduling.
PS: I do disagree with a critique that blogger Kevin Levin has about the show. He did not find the show to be funny, and that’s OK; comedy, as with many things, is a matter of taste. But he also said this:
There is no exploration as to why some of these questions are problematic. She merely pokes fun at the visitors’ questions. I suspect that there are any number of factors beyond mere intelligence that shapes the kinds of questions posed to reenactors at historic sites. I wonder what the staff at Mount Vernon thinks of this.
I think that’s the wrong way to look at this series. I don’t see this show as having a pedagogic intent, that is, it’s not about providing teaching moments or insights into the thought processes of visitors to historic sites and their notions of slavery. It’s just a comedy show. I don’t hold this show accountable for addressing the issues that Mr. Levin suggests. In the same way, I don’t hold Saturday Night Live’s news segment accountable for thoughtful and nuanced information about current events. I just hope they’ll be funny.
Having said that: the creative team does have a challenge to face. Their job is to get the history right – they can’t make fun of the kinds of questions they’re getting, if they get the history wrong in the answers they give. I hope they understand that they have this responsibility, and I hope they deal with it in a righteous manner.
A short video showing images of Thomas Rice as “Jim Crow,” minstrel inspired toys, and clips from minstrel performances. Video features the “Jump Jim Crow” tune. Video created by Office of Diversity and Inclusion in conjunction with the Jim Crow Museum at Ferris State University ( http://www.ferris.edu/jimcrow/ )
The term “Jim Crow” is commonly used to refer to the period of racial segregation that lasted from the end of Reconstruction Era (around 1877) to the 1960s, when judicial decisions, congressional legislation, and executive actions officially ended the practice of separate and equal – a practice which almost always resulted in the separate and disciminatory treatment of African Americans.
But where did the term “Jim Crow” come from? It appears to come from the “blackface” minstrel performer Thomas “Daddy” Rice, who darkened his face with charcoal paste or burnt cork and danced a jig while singing the lyrics to his song, “Jump Jim Crow.”
“Come listen all you galls and boys,
I’m going to sing a little song,
My name is Jim Crow.
Weel about and turn about and do jis so,
Eb’ry time I weel about I jump Jim Crow.”
These words are from the song, “Jim Crow,” as it appeared in sheet music written by Thomas Dartmouth “Daddy” Rice. Rice, a struggling “actor” (he did short solo skits between play scenes) at the Park Theater in New York, happened upon a black person singing the above song — some accounts say it was an old black slave who walked with difficulty, others say it was a ragged black stable boy. Whether modeled on an old man or a young boy we will never know, but we know that in 1828 Rice appeared on stage as “Jim Crow” — an exaggerated, highly stereotypical black character.
Rice, a white man, was one of the first performers to wear blackface makeup — his skin was darkened with burnt cork. His Jim Crow song-and-dance routine was an astounding success that took him from Louisville to Cincinnati to Pittsburgh to Philadelphia and finally to New York in 1832. He also performed to great acclaim in London and Dublin. By then “Jim Crow” was a stock character in minstrel shows, along with counterparts Jim Dandy and Zip Coon. Rice’s subsequent blackface characters were Sambos, Coons, and Dandies. White audiences were receptive to the portrayals of blacks as singing, dancing, grinning fools.
By 1838, the term “Jim Crow” was being used as a collective racial epithet for blacks, not as offensive as nigger, but similar to coon or darkie. The popularity of minstrel shows clearly aided the spread of Jim Crow as a racial slur. This use of the term only lasted half a century. By the end of the 19th century, the words Jim Crow were less likely to be used to derisively describe blacks; instead, the phrase Jim Crow was being used to describe laws and customs which oppressed blacks.
Author Ronald Coddington discusses his book “African American Faces of the Civil War: An Album,” with CivilWarMonitor.com.
In an earlier post, I talked about the book African American Faces of the Civil War: An Album by Ronald Coddington. The book features photographs of Civil War era African Americans – most of them members of the United States Colored Troops – along with a biographical sketch of the persons who are pictured. It’s the third book in Coddington’s “Faces of the Civil War” series. The first book features photos and stories of white Union soldiers, and the second features Confederate soldiers.
The video above is an interview with the Coddington, in which he discusses the process for creating the book, including the challenges he encountered and the insights he learned. The interview is conducted by Civilwarmonitor.com, the digital arm of The Civil War Monitor, a quarterly magazine about the history and memory of the Civil War.
Coddington mentions that his desire to do the book came from a very brief interaction with a black woman who attended a talk he gave about his first book, the one that featured white Union soldiers. The woman looked through the book, told Coddington that there were black people who fought in the Civil War, and then just walked away. Right then an there, Coddington says, he knew he had to do a follow-up book that explored the black experience during the war. I think that woman would be more than pleased with the result.
Law graduating class at Howard University, Washington, D.C., circa 1900
This is one of many photographs of African Americans that was assembled for the 1900 Paris Exposition by W.E.B. Du Bois and Thomas J. Calloway. This picture is in the on-line archives of the Library of Congress, Reproduction Number LC-USZ62-35752; click here for more details.
THEY ARE COMING
by Josephine Heard (1861-1921)
They are coming, coming slowly -
They are coming, surely, surely -
In each avenue you hear the steady tread.
From the depths of foul oppression,
Comes a swarthy-hued procession,
And victory perches on their banners’ head.
They are coming, coming slowly -
They are coming; yes, the lowly,
No longer writhing in their servile bands.
From the rice fields and plantation
Comes a factor of the nation,
And threatening, like Banquo’s ghost, it stands.
They are coming, coming proudly
They are crying, crying loudly:
O, for justice from the rulers of the land!
And that justice will be given,
For the mighty God of heaven
Holds the balances of power in his hand.
Prayers have risen, risen, risen,
From the cotton fields and prison;
Though the overseer stood with lash in hand,
Groaned the overburdened heart;
Not a tear-drop dared to start -
But the Slaves’ petition reach’d the glory-land.
They are coming, they are coming,
From away in tangled swamp,
Where the slimy reptile hid its poisonous head;
Through the long night and the day,
They have heard the bloodhounds’ bay,
While the morass furnished them an humble bed.
They are coming, rising, rising,
And their progress is surprising,
By their brawny muscles earning daily bread;
Though their wages be a pittance,
Still each week a small remittance,
Builds a shelter for the weary toiling head.
They are coming, they are coming -
Listen! You will hear the humming
Of the thousands that are falling into line:
There are Doctors, Lawyers, Preachers;
There are Sculptors, Poets, Teachers -
Men and women, who with honor yet shall shine.
They are coming, coming boldly,
Though the Nation greets them coldly;
They are coming from the hillside and the plain.
With their scars they tell the story
Of the canebrakes wet and gory,
Where their brothers’ bones lie bleaching with the slain.
They are coming, coming singing,
Their Thanksgiving hymn is ringing.
For the clouds are slowly breaking now away,
And there comes a brighter dawning -
It is liberty’s fair morning,
They are coming surely, coming, clear the way.
Yes, they come, their stopping’s steady,
And their power is felt already -
God has heard the lowly cry of the oppressed:
And beneath his mighty frown,
Every wrong shall crumble down,
When the right shall triumph and the world be blest!
Joseph Clovese, late of the United States Colored Troops (USCT)
This is an unattributed photograph that purportedly shows Civil War veteran Joseph Clovese, who passed away at the age of 107 in 1951.
For this 2013 Memorial Day, I want to give thanks and honor to the men and women who fought, died, and otherwise served in defense of our freedom and liberty. And I especially want to ackowledge the contributions of the African American soldiers and sailors who served in the armed forces during the American Civil War.
I recently learned of the story of Joseph Clovese, which I am happy to share. Clovese may well have been the last surviving African American veteran of the Civil War. Reportedly, he passed away in July 1951 at the tender age of 107.
Michigan’s Messenger – The Newsletter of The Department of Michigan Sons Of Union Veterans Of The Civil War tells of Clovese’s early life and service:
He was born… on a plantation on January 30, 1844 in St. Bernard Parish, Louisiana. Though born a slave, he received a good education as a favorite house boy of his master. At age 17 he ran away to join nearby Union soldiers.
He became a drummer boy during the siege of Vicksburg and later was enrolled in a regiment of “colored troops”.
Following the war he worked on Mississippi river steamboats. He later worked on the crew stringing the first telegraph wires between New Orleans and Biloxi, Mississippi.
At the age of 104, Clovese moved from Louisiana to Pontiac, Michigan to be with family. As further related by the Michigan’s Messenger,
Once “Uncle Joe’s” presence was known, the community of Pontiac embraced him. Large gatherings were organized for his 105th, 106th and 107th birthdays.
Joseph Clovese died at Dearborn Veterans hospital on July 13, 1951. More than 300 people were packed into the small Newman A.M.E. Church for the service. Hundreds more gathered at the grave site in Perry Mount Park cemetery. Oakland County Council of Veterans members served as pall bearers. A firing squad from Selfridge Air Force Base fired the final salute and taps was sounded over the cemetery.
Thus, Clovese received a tribute befitting the Great Generation of black soldiers in the United States armed forces.
I also want to give honor to my late uncle, Edward Cannon. He served in a segregated (African American) tank unit (761st Tank Battalion) under the command of General Patton. The unit was known as “the Black Panthers” based on their insignia. Rest in peace.
President John Kennedy unveils the commemorative stamp for the 100th anniversary of the Emancipation Proclamation. The picture was taken in the White House in May 1963. The persons in the photo are, L-R, Berl Bernhard, Staff Director of the U.S. Civil Rights Commission; Georg Olden, designer of the stamp and Vice President of McCann-Erickson advertising firm; Postmaster General J. Edward Day; and President Kennedy.
Source: John F. Kennedy Presidential Library and Museum
President John Kennedy, right, makes remarks after unveiling the stamp. The photo includes Georg Olden, designer of the stamp, and Postmaster General J. Edward Day.
Source: John F. Kennedy Presidential Library and Museum
In the preceding blog post, I displayed images of two stamps commemorating the Emancipation Proclamation: the 1963 stamp that commemorated the 100th anniversary of the Proclamation, and the 2013 stamp that commemorates the Proclamation’s 150th anniversary.
The 1963 stamp was unveiled on May 1, 1963, in an Oval Office ceremony held with then president John F. Kennedy. This is the draft press release for the unveiling ceremony, which is from the John F. Kennedy Presidential Library and Museum:
President Kennedy today unveiled the design of an Emancipation Proclamation commemorative postage stamp that marks the 100th anniversary of President Lincoln’s executive action that brought freedom to three million Negro slaves.
The new stamp will first be issued in Chicago next August 16, opening day of the Century of Negro Progress Exposition in that city.
In a proclamation calling for national observance of the centennial, Mr. Kennedy had earlier noted that “the goal of securing equal rights for all our citizens is still unreached, and the securing of these rights is one of the great unfinished tasks of our democracy.”
Georg Olden, of New York City, designer of the stamp, was present as Mr. Kennedy and Postmaster General J. Edward Day drew aside the drapes to display an illuminated color reproduction of the new stamp. Mr. Olden in the first of his race to design a U. S. postage stamp. (Emphasis added.) He is Vice President of the New York advertising firm McKann-Erickson.
Also participating in the ceremony in the President’s office was Ashby G. Smith, president of the National Alliance of Postal Employees and Berl I. Bernhard, Staff Director, Civil Rights Commission.
The 5-cent Emancipation Proclamation commemorative stamp depicts a severed link in a massive black chain, placed against a blue background. The inscription “United States” in red appears top center of the stamp, flanked by “1863-1963″ in blue. At the bottom, also in blue, is “Emancipation Proclamation.”
The designer of the stamp, graphics designer Georg Olden, was an African American pioneer in white corporate America, as an executive at CBS and at the ad agency McCann-Erickson. Olden, who was born in Birmingham, Alabama, was the grandson of a slave; I wonder what emotions he had at that moment, and if he pondered that he himself was a living symbol of how great a distance people of African descent had traveled since the time of the Civil War?
These are postage stamps commemorating the 100th and 150th anniversaries of the Emancipation Proclamation.
It’s hard to imagine there was a time when stamps only cost 5¢. And I say that as someone who is over 55 years old.
The blog for the Smithsonian National Postal Museum, Pushing the Envelope, has details of the First-Day Ceremony for the Emancipation Proclamation Commemorative Stamp. It also has some interesting stories and images about Postal Service commemorations of the Emancipation Proclamation, such as this one:
Martin Luther King, Jr. Memorial, Washington, DC,
Source: National Park Service
The Rev. Dr. Martin Luther King, Jr. is my hero. His leadership, intellect, courage, and ambassadorship to white America and the world at large make him deserving of all the recognitions and honors that he’s received.
Yet, I am filled with ambivalence every time we come to another MLK Jr Day. Yes, Dr. King was a great man. But he was not an army of one.
The Civil Rights Movement had numerous heroes and martyrs. All of them deserve recognition. Rather than a day to celebrate the memory of King, I would have preferred a Nation Civil Rights Movement Day to celebrate all of those who were a part of the Movement.
For example, my other “favorite” super-hero from the Movement is Mississippi’s Fannie Lou Hamer. She started
working in the fields when she was six, and was only educated through the sixth grade. She married in 1942, and adopted two children. She went to work on the plantation where her husband drove a tractor, first as a field worker and then as the plantation’s timekeeper. She also attended meetings of the Regional Council of Negro Leadership, where speakers addressed self-help, civil rights, and voting rights.
In 1962, Fannie Lou Hamer volunteered to work with the Student Nonviolent Coordinating Committee (SNCC) registering black voters in the South. She and the rest of her family lost their jobs for her involvement, and SNCC hired her as a field secretary. She was able to register to vote for the first time in her life in 1963, and then taught others what they’d need to know to pass the then-required literacy test. In her organizing work, she often led the activists in singing Christian hymns about freedom: “This Little Light of Mine” and others.
She helped organize the 1964 “Freedom Summer” in Mississippi, a campaign sponsored by SNCC, Southern Christian Leadership Conference (SCLC), the Congress of Racial Equality (CORE), and the NAACP.
In 1963, after being charged with disorderly conduct for refusing to go along with a restaurant’s “whites only” policy, Hamer was beaten so badly in jail, and refused medical treatment, that she was permanently disabled.
Hamer is most famous for her work as Vice-Chair of the Mississippi Freedom Democratic Party, sometimes called the “Freedom Democrats,” in 1964. The Freedom Democrats challenged the seating of Mississippi’s all-white and anti-civil rights delegation to the Democratic National Convention of that year as not representative of all Mississippians. The Freedom Democrats brought national attention to the plight of black people in the state, and led to reforms in the way persons are seated at the Democratic Convention.
In 1972 the Mississippi House of Representatives passed a resolution honoring her national and state activism, by a vote of 116 to 0. This was an extraordinary recognition, given the state’s resistance to integration. Hamer died in Mississippi in 1977.
To me, no understanding of the Movement can be complete without knowing her story. But as I talk to people about Civil Rights history, especially young people, I am saddened that they have little or no idea of who she was or what she accomplished.