Giving Thanks, by Harry Herman Roseland

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Source: Liveauctioneers.com

This painting, titled Giving Thanks, is the work of Brooklyn, New York artist Harry Herman Roseland (c.1867—1950). He was a noted painter who received many awards for his work in his lifetime. According to Wikipedia, “Roseland was primarily known for paintings centered on poor African-Americans.”

Happy Thanksgiving to all!

To the Highest Bidder, by Harry Herman Roseland

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Picture source: AskArt.com

This poignant painting, titled To the Highest Bidder, is the work of Brooklyn, New York artist Harry Herman Roseland (c.1867—1950). He was a noted painter who received many awards for his work in his lifetime. According to Wikipedia,

Roseland was primarily known for paintings centered on poor African-Americans… One of his most popular subjects were his paintings of black women fortune tellers who read the palms and tea leaves of white women clients.

Oprah Winfrey has stated that her favorite painting in her personal collection is Roseland’s 1904 work, To the Highest Bidder. This painting, which unlike most of Roseland’s pieces is actually a pre-Civil War scene, depicts a mother and daughter that are about to be separated by a slave auction.

I am taken by the somber desperation in the eyes of the mother. Her gaze seems to both shame and challenge the viewer: how can you look at me, and know what is about to happen, and yet do nothing?

On Their High Horses: Black Cavalry Soldiers in Mississippi

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“The War in Mississippi—The 1st Mississippi Negro Cavalry Bringing into Vicksburg Rebel Prisoners Captured at Haines Bluff. –From a Sketch by our Special Artist, Fred B. Schell”
From Frank Leslie’s Illustrated News, December 19, 1863; see here and here

When the Civil War began, Mississippi was one of two states in which over half the population was of African descent. Enslaved Mississippians outnumbered free Mississippians by a count of 437,000 to 354,000. Given those numbers, the subjugation and control of slaves was an essential part of the social, legal, and security fabric of the state’s white-only polity and government.

The Union army unraveled white control of the slave population. Although the Union military suffered serious and numerous military setbacks in the East during the first half of the war, especially in Virginia, it was able to gain ground steadily along the Mississippi River and its adjacent states. A key event in the conquest of the River and its environs was the fall of Vicksburg on July 4, 1863. With that and previous victories, the Union was able to solidify its control and occupation of Confederate territory in Tennessee, Arkansas, Louisiana, and Mississippi.

From those occupied areas, the Union army garnered its most African American recruits. These four states provided the most black soldiers to the Union army:
o Louisiana 24,052
o Kentucky 23,703
o Tennessee 20,133
o Mississippi 17,869

The above image illustrates the momentous changes in the status of African Americans during the war. This sketch, from the December 19, 1863 issue of Frank Leslie’s Illustrated News, shows black men transporting Confederate prisoners in the face of a mostly white crowd. A description of the image by the University of Michigan’s Clements Library website notes that “Black soldiers now guard white prisoners and tower over onlookers.”

Also of interest is the way the soldiers are drawn. Many period renderings of African Americans depict them as caricatures, with huge lips and ape-like features. This image depicts black men as, well, men. It is a humane and dignified portrayal, befitting their new status as freemen and soldiers.

The army regiment in the picture was actually named the First Mississippi Cavalry (African Descent). In its discussion of Mississippi’s black Union soldiers, Bernie McBride’s website bjmjr.net points out that

The National Park Services lists 10 black Union regiments organized in Mississippi. These are the First Regiment Cavalry; the First Regiment Mounted Rifles; the First, and Second heavy Artillery; the 1st, 2nd, 3rd, 4th, 5th and 6th Regiment Infantry, all officially designated “African Descent.”

Lest We Forget Website master Bennie McRae expands that list to 16 regiments under the official designation “United States Colored Troops.” The First Mississippi Cavalry (African Descent), for example, became the 3rd U.S. Colored Cavalry Regiment after the change to the USCT system. Ten infantry regiments, rather than the six listed above, were established at Vicksburg and Natchez. Two additional heavy artillery regiments and one of light artillery were established under Grant’s command by January 1864.

A discussion of the African American Monument in Vicksburg National Military Park is here.

Politics, 1868: “Would You Marry Your Daughter to a N******?”

Would you want your daughter to marry a...
“Would You Marry Your Daughter to a Nigger?” Harper’s Weekly, July 1, 1868.
Supreme Court Justice Salmon Chase joins a negro man and an Irish woman in miscegenation marital bliss while Democratic Party politicos look on.

This is how they rolled in 1868.

The political cartoon above is taboo in today’s polite political society. But in 1868, racial and ethnic prejudice was out front and in your face. And the message here is a little more complicated than you might think at first.

Before, during, and after the Civil War, the Democratic Party openly used racial prejudice as a way to appeal to and galvanize white voters. Miscegenation – race mixing – was one of the Party’s favorite themes.

The image from Harper’s Weekly is a somewhat complex satire of that theme and of the man depicted in it, Salmon Chase. (The bald-headed man in the center of the picture is Chase.) Chase was a member of Abraham Lincoln’s cabinet, and was made Chief Justice of the Supreme Court via Lincoln’s nomination. Chase was known as an anti-slavery man, but in 1868 the Democratic Party – which had been a pro-slavery party before the war – considered nominating him for president, and it seems Chase was interested.

Harper’s Weekly, which supported the Republican Party, decided to have a little fun at the expense of Chase, the Democrats, and also, Irish Americans, who were part of the Democratic Party’s electoral coalition. Irish Americans in New York City had gained some infamy in the wake of the Draft/race riot of 1863.

Basically, Harper’s is chiding Democrats for politically miscegenating with a presumably pro-miscegenation Chase; and is chiding Chase for politically miscegenating with men that Harper’s considered Democratic scoundrels. The other persons in the cartoon include northern Democrats, some associated with New York City’s Tammany Hall political machine; and others such as despised Copperhead Clement Vallandingham and Nathan Bedford Forrest of Fort Pillow fame.

This particular image is made even more lurid by its simian-like depiction of an Irish woman with the “Democratic Party” veil. Even whites from the British Isles could be subjected to nativist caricature and ridicule. Interestingly, the African-American in the picture is not caricatured.

Because of the acrimonious partisanship of US politics today, some people have expressed a desire to return to the good old days of American civics. But as the above cartoon shows, the old days were not necessarily all that good.

A list of men in the picture is here:

The other figures in the cartoon are leading Democratic politicians. On the left side (l-r): John Hoffman, New York gubernatorial candidate; John Morrissey, Tammany Hall associate and former prize-fighter; Fernando Wood (background), former New York City mayor; Manton Marble, New York World editor; Senator Thomas Hendricks of Indiana, a presidential candidate; and, James Gordon Bennett Sr., former New York Herald editor.

On the right side (l-r): Horatio Seymour, former New York governor and eventual 1868 presidential nominee; Representative James Brooks of New York; Clement Vallandingham, former leader of the Peace Democrats; Senator James Doolittle of Wisconsin (background), a presidential candidate; George Pendleton, 1864 vice presidential nominee and the leading 1868 presidential candidate; Raphael Semmes (background), famed Confederate admiral; and Nathan Bedford Forrest, former Confederate general of Fort Pillow infamy.

The 1868 presidential election was won by Republicans Ulysses S. Grant, President, and Schuyler Colfax, Vice President.

More Photos from the New Market Heights Reenactment on Civilwartalk.com

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United States Colored Troops (USCT) reenactor/living historian Marcellus Williams of Washington, DC at the commemoration of the Battle of New Market Heights. All photos by Neil Hamilton.

As mentioned in a previous post, the 150th anniversary of the US Civil War’s Battle of New Market Heights was commemorated during the weekend of September 27, 2014 in Henrico County, Virginia. The commemoration included a number of events, the highlight being a staging of the battle by a large group of Confederate and Union soldier reenactors.

The web forum Civilwartalk.com has a discussion thread which contains a bunch of wonderful photographs from the reenactment events. The photographs appear starting on page three of the discussion thread. A handful of the pictures are displayed below.

I do have a request. If you can identify any of the people or units in the pictures, it would be greatly appreciated. For the photos here, you can leave a comment below. For the photos on Civilwartalk.com, you can join the forum (membership is free) and make a post with your information. Having these details will enhance the record of the event. Thanks!

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USCT in camp, preparing for the day’s events.

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USCT and Confederate reenactors after their staging of the Battle of New Market Heights. The USCT soldier at the far right, holding a sword with a Confdederate soldier, is Bill Radcliffe. Radcliffe was the model for the monument to United States Colored Troops National Monument in the Nashville National Cemetery.

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More reenactors/living historians who were at the event. The woman at the far right is Yulanda Burgess, whose history specialty is the American Missionary Association.

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Another scene from the commemoration events.

Two Views of Emancipation – Which is Right?

Which of these two monuments offers the best depiction of the relationship between African Americans and Abraham Lincoln, and the role each played in ending slavery? This one…

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The Emancipation Memorial, AKA the Freedman’s Memorial, in Washington, DC
Source: Wikipedia

…or this one?

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Cuyahoga County Soldiers’ and Sailors’ Monument, Cleveland, OH
Image © Dave Wiegers Photography, see here and here. Wiegers has done a number of photos of monuments to Abraham Lincoln. 

My thoughts are below the fold. Continue reading