A Letter to Lincoln from a Colored Soldier: “I… grasp at the Flag… and Declared it shall never fall”


Letter from Hannibal Cox, 14th Regiment, U.S. Colored Infantry to president Abraham Lincoln
Source: From The Abraham Lincoln Papers at the Library of Congress

This is a letter to Abraham Lincoln from an African American soldier which contains a poem:

From a man of no education. And have been doomed to slavery –
During life, and was born In Powhatan Co. and was raised in –
Richmond Virginia. And I am now a Soldier In U. S. Army. –
And I will Speak these few words In Answer to all whom it –
May Concern. Where Ever it may roam.

I have left my wife And Children but –
Tho. I. have not yet forsaken them. and made one grasp –
at the Flag of the union and Declared it shall never fall–
For we love it like the Sunshine, and the Stars and azure air. –

Ho for the flag of the union. the Stripes and the Stars of light.–
A million arms. Shall guard it. and may god defend the right.–
Ay, brothers let us love it, and let Every heart be true.–
And let Every arm be ready, for we have glorious work to do.–
Ho. for the Flag of the union. the Stripes and the Stars of Light.–
a million arms shall guard it. and may. God defend the right.–

I. Hope we may meet again In the bonds of love to greet
fare well I hope History may tell

Hannibal Cox
Co. B. 14th U. S. Colored Troops
Chattanooga Tenn
march 30th 1864

I. sends this for you to look at
you must not laugh at it

This poignant letter is from Hannibal Cox, a former enslaved person who joined the Union army and was a member of the 14th Infantry regiment, United States Colored Troops. The letter was sent to Abraham Lincoln via Benjamin Woodward, a Surgeon with the Union’s 22nd Illinois Regiment. Woodward wrote to Lincoln:

Permit me respectfully to enclose to You a letter received by me a few days since. The writer was a Slave held in bondage by a man named “Green” in Lincoln Co Tenn. In August last he escaped and came to me at the U S Gen Hospital at Tullahoma Tenn. While there the Soldiers taught him to read and write, for prior to that time he could do neither. Early this spring he enlisted as a Soldier.

This Mr Lincoln is but a sample of the glorious fruits of Your “Proclamation” of Liberty. When at Springfield Ill as You were leaving for Washington you said “Pray for me” a thousand hearts responded, and we now thank God who has so “led You into all truth” and thousands in the army rejoice in Your work and pray for you that you may be sustained till the great work which God has called You to is fully accomplished.

Hannibal Cox had fled bondage, but it was a troubled freedom. Liberation meant that he had to leave his wife and children behind. He swears to Lincoln, and perhaps himself, that he has not forsaken his family. In the meantime, his escape from slavery had given him literacy, a uniform, and a flag; and he was more than ready to fight for that flag.

Cox, as a “man of no education,” may have been uncomfortable with his use of words (and it’s possible that although he wrote the letter, it was transcribed by someone else) but he says firmly about his letter: “you must not laugh at it.” If Lincoln did read the letter, I don’t think he would have laughed. Lincoln might well have found it moving and touching, as no doubt many of us do today.

This is the grave marker for Hannibal Cox in Riverside Cemetery, Troy, Ohio from the website Find a Grave: :


Sources: Lincoln and the U.S. Colored Troops by John David Smith, p1-2; thanks to the member Littlestown at CivilWarTalk.com for information on Hannibal Cox’s gravesite.

A different view of secession


Front of a Civil War era envelope, titled “Secession.” Source: Library of Congress, Reproduction Number LC-DIG-ppmsca-11328

Ah, you can’t beat that old time humor. This is a Civil War era envelope that I saw in the Library of Congress (LOC) online archives. This is from the LOC description of the item:

Date Created/Published:[between 1861 and 1865]
Medium: 1 print : wood engraving on envelope ; image and text 5 x 4.5 cm, on envelope 8 x 14 cm.
Summary: Picture shows an African American boy and mother with a bundle running.
Notes: Title from item.
Gladstone’s inventory code and notes: Envelope 20; illustration of black mother and child; mother has animal-like head.

The characters in the image are, to say the least, unflatteringly depicted as stereotypical caricatures. Of course we of today find this outrageously offensive. But this is how they rolled back in the day. Note that, the face of the child in this picture is not shown; maybe it’s just as well.

But I suggest that observers not get too hung-up about the picture’s visual vulgarity. This image wasn’t so much about mocking African Americans. It was about satire and irony at the expense of slaveholders and the Confederacy, and secondarily, a statement concerning the desire of the enslaved to be free. Either way, it sends the message that the goal of southern independence had a whole ‘nother meaning for bondsmen and bondswomen. That it is a gendered and family depiction of the contrabands (a term used in the North to describe runaway slaves) adds to its poignancy.

There were tens of thousands of enslaved people who liberated themselves during the war, and their story is not well known or understood in American memory. But as this tiny bit of humor indicates, it was on the minds of wartime Americans. As we commemorate and consider this 150th Anniversary of the Civil War and Emancipation, it’s something that should be on our minds as well. But I’m not sure if people have focused on this much as we reach the halfway point of the Sesquicentennial.

Perhaps it’s because the process of emancipation was not always a pretty sight. But we can’t look away at truth and insight, simply because it’s ugly.

Like Father, Like Sons: An African American Civil War Sailor and His Heirs

[IMG]
Photograph of Union Navy veteran William B. Gould with his six sons.
This photograph of the Gould veterans originally appeared in the NAACP’s magazine, Crisis, in December 1917. All of the sons were veterans of World War I except William B. Gould, Jr., a Spanish-American War veteran. William B. Gould, already in his 80s, is seated wearing his GAR uniform. Standing behind elder Gould are, from left to right: Lawrence Wheeler Gould, James Edward Gould, William Benjamin Gould, Jr., Ernest Moore Gould, Herbert Richardson Gould, and Frederick Crawford Gould. (GAR = Grand Army of the Republic, an organization for Union veterans)

William B. Gould was born a slave, but that would not define him or confine him. By the end of his life, he would leave a legacy of service for which any American would be proud. And it seems his sons learned from his example.

Gould grew up in the North Carolina port city of Wilmington, NC (which is now famous for its movie industry and for being the hometown of NCAA/NBA great Michael Jordan). On September 21, 1862, Gould and seven other men liberated themselves from captivity by navigating a boat down the Cape Fear River. Gould and the others were picked up by the USS Cambridge, and he became a member of the ship’s crew.

Gould was literate, and kept a diary of his days as a Union sailor. One of his descendants, William B. Gould, IV, used that diary to form the basis of Diary of a Contraband: The Civil War Passage of a Black Sailor. This is from the press release for the book:

The heart of this book is the remarkable Civil War diary of the author’s great-grandfather, William Benjamin Gould, an escaped slave who served in the United States Navy from 1862 until the end of the war. The diary vividly records Gould’s activity as part of the North Atlantic Blockading Squadron off the coast of North Carolina and Virginia; his visits to New York and Boston; the pursuit to Nova Scotia of a hijacked Confederate cruiser; and service in European waters pursuing Confederate ships constructed in Great Britain and France.

Gould’s diary is one of only three known diaries of African American sailors in the Civil War. It is distinguished not only by its details and eloquent tone, but also by its reflections on war, on race, on race relations in the Navy, and on what African Americans might expect after the war.

The book includes introductory chapters that establish the context of the diary narrative, an annotated version of the diary, and a brief account of Gould’s life in Massachusetts after the war.

[IMG]

The elder Gould was clearly an inspiration to his sons. They enlisted in the US Army, and became part of the next generation of African American soldiers who served in the Spanish-American War and World War I.

As an accompaniment to the book, Stanford University hosts the website Diary of a Contraband: The Civil War Passage of a Black Sailor. The site features primary sources and photographs that tell the story of Gould in an interesting and compelling fashion. I very much enjoyed the site, and I look forward to reading the book. Highly recommended.

Shotgun Wedding, Civil War Style? (“A Subject of Morality”… and More)

Slavery and wartime, too, can make for strange bedfellows. Or just plain strangeness.

Consider the following Civil War “incident” that is at once bizarre, amusing, disturbing, outrageous and wonderful, but also, uniquely American. It raises all kinds of questions about race, slavery, and family; and about the authority of an occupying power to control, and even force certain behaviors on, an occupied population.

The story comes from Army Chaplain Henry McNeal Turner. As I mentioned in my previous post, Turner was a leader in the black church of Washington, DC, and part of the First Regiment of the United States Colored Infantry. He was also a wartime correspondent for the Christian Recorder, a newspaper of the African Methodist Episcopal Church, in which this story was published.

First, some backstory. It’s June/July of 1865. Several months earlier, Confederate General Joseph Johnston surrendered to Union General William Sherman in Durham, North Carolina, one of the steps in the end of the Civil War and the demise of the Confederacy. But going as far back as early 1862, the Union Army has captured and occupied various parts of the North Carolina coast. This includes Roanoke Island, the site of a large contraband camp/freedmen’s village.

During this occupation, the Union is “the law.” A Colonel named Holman is acting as judge, jury, and… executioner… while he addresses “legal” and other interactions among the inhabitants in the east NC area under his control. Holman has asked Chaplain Turner to help mediate a case involving “morality”… Turner tells the story:

Roanoke Island is still the theatre of many interesting incidents. Every imaginable phase of characters, every question having… virtue, however hatched with uncertainties through the phantasm scope of suspicion, or open in the vulgar revelry of the unconscionable audacious, are ever and anon before the bar of adjustment… It is nothing uncommon to have reports of the dogs barking, and such trivial affairs, handed in at Head Quarters… Colonel Holman, however, listens to them all, passes judgment upon them, and the parties respectfully retire.

But here is a circumstance to which I most respectfully invite your attention. The narrative runs as follows: Near Edenton, (a place about one hundred mile from the island,) lives an old rich slave-holder, who in the days of southern rights wielded an immense power in that community, or, in other words, he was one of the lords of the land.

He visited Wilmington about twelve years ago, and there saw a very handsome mulatto girl, or rather lady, and conveyed to his country mansion, and admitted to the lofty honors of sacred concubinage. In that very wholesome situation she has remained ever since, giving birth to six children, all illegitimate production of purchased connection. Providentially, both of these individuals had business before the Colonel, and during the investigation the Colonel’s attention was called to their mode of living.

The matter was referred to the Chaplain for counsel and advice, as it was a subject of morality, who decided with the Colonel that he should marry her at once. But he (the slaveholder) could not see the point; he showed many reasons why it would not do to marry a colored woman, in that part of the country. He argued skillfully in the false logic generally produced by slave-owners; finally, he was dismissed, and left with an exultant sense of his victory over Yankee morality.

Colonel Holman, after weighing the matter again, sent for me and finding the parties already there, rose upon his feet, and commenced as follows: “Sir, (looking at the slave-owner,) I have talked to you as a brother and friend: you have had this woman twelve years acting as your wife; she, in the sacred honesty of a lady, has in return given to you, your country and your God, six children: you brought her away from her home, her relations and friends, as a man would convey his wife; you have also devoured the flower of her youth, and torn from her cheeks the flush beauties of maiden-hood; you have reaped and consumed these charms, which God gave her to find a happy partner in life, and make her existence pleasant to the grave, ay! and to an eternal future. You have desecrated the sanctity of the matrimonial institution by force and unjust authority.

“But your day is gone: this is my day, and this great nation’s day-and as an officer of the United States, invested with power to execute justice, and carry out the proclamations of the President,–I tell you and your comrades, I tell all in my military district, such conduct shall not be tolerated. You can take your choice, either marry the woman or endow her and her children with property sufficient to support them for life, or I will demolish everything you have, hang, shoot, or bury you alive, before you shall turn that helpless woman and your ill begotten children away to die, or to be fed by my country, and your property given to hellish rebels. You starved our prisoners to death, and murdered in cold blood the best men God ever made, to sustain your infamous rotten oligarchy, and now, to add insult and injury, you propose to turn out your children. By the eternal God, I will sweep you all with one blast.”

At this point he (slave-owner) raised his voice, and in a trembling voice said: “Colonel, you need not say anymore. I can’t marry Susie and stay here; but if you will allow me time to dispose of my personal property, I will take her and go to the North, or to Canada and there marry her; I will sell my lower plantation, but my upper one I will hold on to.”

“Well, “ said the Colonel, “do you promise in the presence of myself and the chaplain to marry Miss Susan?”

“Yes, sir, I will: for I know it is wrong to throw her and the children away, for Suse has been a mighty good gal.”

At this point we all shook hands over the prospects, and the court adjourned, to meet again when he gets ready to marry Susan and go North.

The floor is open – what are your thoughts on this?

Note: The text from Turner is in An African American Pastor Before and During the American Civil War: The Literary Archive of Henry McNeal Turner by Andre E. Johnson.

Wisconsin Union Soldiers and Runaway Freedwoman

Wisconsin-Union-Men-and-Freedwoman
Cropped photograph of Wisconsin Union soldiers who helped a runaway teenager from Kentucky escape to freedom in 1862.
This is titled “Jesse L. Berch, quartermaster sergeant, 25 Wisconsin Regiment of Racine, Wis. [and] Frank M. Rockwell, postmaster 22 Wisconsin of Geneva, Wis.” in the Library of Congress photograph collection.
Source: Library of Congress, Reproduction Number LC-DIG-ppmsca-10940

This Civil War era image depicts a self-liberated teenaged woman (AKA runaway slave) from Kentucky who was eventually escorted to freedom with the aid of Union soldiers from Wisconsin. Recollect that Kentucky, while loyal to the Union, was a slave state throughout the course of the Civil War. (Maryland and Missouri, which were also Union slave states, abolished the institution before the war ended.)

The story behind the picture is provided at the Oxford African American Studies Center website. The two men in the photograph were part of Wisconsin’s 22nd Infantry Regiment, which was “composed of numerous sympathizers to the abolitionist cause.” They escorted the young woman in the picture from Nicholasville, Kentucky, to the home of Levi Coffin, an Underground Railroad operator in Cincinnati, Ohio, disguising her as a “mulatto soldier boy.” The picture was taken in Cincinnati. The young woman, whose name is not identified, was eventually sent to Racine, Wisconsin. An expanded version of the story is below the fold.

I want to offer a hat tip to Deborah Willis and Barbara Krauthhamer for highlighting this interesting image in their book Envisioning Emancipation: Black Americans and the End of Slavery.

Continue reading

Burying the Dead

This iconic image from the Civil War is also one of its most grisly.

The photograph was taken on the site of the Battle of Cold Harbor. Wiki says the battle “is remembered as one of American history’s bloodiest, most lopsided battles. Thousands of Union soldiers were killed or wounded in a hopeless frontal assault against the fortified troops of Confederate Gen. Robert E. Lee.” Cold Harbor, Virginia, is located near the Richmond-Petersburg area. The battle took place in May/June 1864, but the photograph was taken in 1865.

Some estimates put the number of Union deaths from Cold Harbor at around 1800 men; wounded and injured at around 9000 men; and captured and missing at around 1800 men. By contrast, some reports state that the Confederates suffered under 100 deaths, around 3000 wounded, and captured and missing around 1000. But the numbers vary by source, as the wiki article for the battle shows.

Somebody had to deal with all the dead, and in this case, it appears that contrabands – runaway slaves who fled to the Union lines – got that duty. I’ve read at least one description of the photo which says these men were members of the Union army, but I haven’t seen enough evidence to establish that description as correct. Although, the hats on the men in the background, which we can’t see all that well, do resemble soldier caps.

The website for the John Paul Getty Museum describes the picture:

This gruesome scene depicts the unpleasant job of burying the remains of fallen Union soldiers from the June 1864 battles of Gaines’ Mill and Cold Harbor. This task has fallen to a group of black men doing the menial work while a white man standing at upper left acts as overseer. The man seated in the center, next to the stretcher laden with human parts, looks directly at the camera, revealing no emotion that can be reconciled with his grisly cargo.

Already reduced to nothing more than a pile of bones, these bodies lay unburied for ten months until the war’s end, while the blistering heat and humidity of the Virginia summer hastened their decomposition. Local residents usually came forth to give a proper burial to the enemy troops that fell near their homes, but the scale of the casualties here–nearly sixty thousand Union soldiers were killed or wounded in this area–precluded this courtesy.

This picture highlights the fact that during the war, the Union army made good use of the newly-emancipated freedmen to perform these and other tasks. Thousands of black men and women provided noncombatant support for the Federals.

The photograph was taken by John Reekie, a photographer with the famous Mathew Brady studio in Washington, D.C.

Source: Washington, D.C. : Library of Congress Prints and Photographs Division. “[Cold Harbor, Va. African Americans collecting bones of soldiers killed in the battle]“
CALL NUMBER: LC-B817- 7926; REPRODUCTION NUMBER: LC-DIG-cwpb-04324 DLC (digital file from original neg.); LC-B8171-7926 DLC (b&w film neg.)

To view all of the photo images on this site so far, click here.

EDIT: Andy Hall, who publishes the excellent blog Dead Confederates, provided this:

Drew Faust reproduces this image in her book, This Republic of Suffering: Death and the American Civil War. She identifies the men as being under the command of Captain James Moore, who would soon be transferred to the site of Andersonville to (with Clara Barton) supervise the disinterment and reburial of the Union dead there. The men in this image would seem to be USCTs:

InJune 1865 Captain James Moore, an assistant quartermaster who had’ been active in fledgling graves registration efforts during the war, was ordered to the Wilderness and Spotsylvania “for the purpose of superintending the interments of the remains of Union soldiers yet unburied and marking their burial-places for future identification.” Moore found hundreds of unmarked graves, as well as skeletons that had been left for more than two years without the dignity of burial. “By exposure to the weather,” he reported, “all traces oftheir identity were entirely obliterated.” Summer heat and “the unpleasant odor from decayed matter” prevented him from removing all bodies to a central location, but he made sure all were carefully interred, with remains appropriately “hidden from view.” On these two fields he estimated that he oversaw the burial offifteen hundred men, although the scattering of so many bones made an exact count impossible. Soldiers of the U.S. Colored Troops, not yet mustered out of service, did the often repellent work. Moore reported that 785 tablets were erected over named graves, and he submitted a list ofthe officers and men he had identified.

I think the men in this image are, in fact, USCTs, not only because of their kepis, but because their clothing is uniform and in good shape — contrabands generally appear in photos to be much less well clothed.

Library of Congress high-res TIFF versions available:

http://www.loc.gov/pictures/item/2002713100/

http://www.loc.gov/pictures/item/cwp2003000494/PP/

Keep up the good work. (I almost said “keep digging,” but, you know. . . .)